At the close of the 20th Century, all of the Earth's kaiju have been collected and confined in an area known as Monster Island, by the United Nations Science Committee, in the Ogasawara island chain. A special control center is constructed underneath the island to ensure the monsters stay secure, and serve as a research facility to study them. When communications with Monster Island are suddenly and mysteriously severed, and all of the monsters begin attacking world capitals, Dr. Yoshida of the UNSC orders Captain Yamabe and the crew of his spaceship, Moonlight SY-3, to investigate Ogasawara. There, they discover that the scientists, led by Dr. Otani, have become mind-controlled slaves of a feminine alien race identifying themselves as the Kilaaks, who reveal that they are in control of the monsters. Their leader demands that the human race surrender, or face total annihilation. Godzilla attacks New York City, Rodan invades Moscow, Mothra lays waste to Beijing, Gorosaurus destroys Paris, and Manda attacks London, which is set in to motion to take attention away from Japan, so the aliens can establish an underground stronghold near Mt. Fuji in Japan. The Kilaaks then turn their next major attack on Tokyo, and without serious opposition, become arrogant in their aims, until the UNSC discover the Kilaaks have switched to broadcasting the control signals from their base under the Moon's surface. In a desperate battle, the crew of the SY-3 destroy the Kilaak's lunar outpost and return the alien control system to Earth. With all of the monsters under the control of the UNSC, the Kilaaks unleash their hidden weapon, King Ghidorah. The three-headed space monster is dispatched to protect the alien stronghold at Mt. Fuji, and battles Godzilla, Minilla, Mothra, Rodan, Gorosaurus, Anguirus or Angilas, Kumonga, Manda, Baragon, and Varan. While seemingly invincible, King Ghidorah is eventually overpowered by the combined strength of the Earth monsters and is killed. Refusing to admit defeat, the Kilaaks produce their trump card, a burning monster they call the Fire Dragon, which begins to torch cities and destroys the control center on Ogasawara. Suddenly, Godzilla attacks and destroys the Kilaak's underground base, revealing the Earth's monsters instinctively know who their enemies are. Captain Yamabe then pursues the Fire Dragon in the SY-3, and narrowly achieves victory for the human race. The Fire Dragon is revealed to be a flaming Kilaak saucer and is destroyed. Godzilla and the other monsters are eventually returned to Monster Island to live in peace.
American International Pictures released the film theatrically in North America in 1969. The Americanization was handled by Titan Productions (formerly Titra Studios).
Deleted: Shot of Minilla covering his eyes while King Ghidorah drops Anguirus.
Added: Ending credits with one of Ifukube's military themes (played earlier in the film during the monsters being attack by the military in Tokyo) playing in the background. This version has been replaced on home video and television by Toho's "International Version". While uncut and widescreen, it features an English dub track produced by William Ross' Tokyo-based Frontier Enterprises used to sell the film to overseas markets in 1968. Subsequently, American International Pictures found the dubbing to be substandard and handed the film over to Titan Productions in New York to record a new English dialogue track.
The New York Times did not review the film upon release, but film critic Howard Thompson gave it a positive review on a re-release at a children's matinee with the Bugs Bunny short, Napoleon Bunny-Part, in December 1970. He commented that "the feature wasn't bad at all of this type. The trick photography and especially the blended sweep and skill of the miniature settings provided the visual splash. The human beings, with good dubbed English voices, were a personable lot as they wrestled with some outer space culprits who had rounded up Japan's favorite monsters and turned them against the planet earth." Among modern critics, Steve Biodrowski of Cinefantastique wrote, "In the end, Destroy All Monsters is too slim in its storyline, too thin in its characterizations, to be considered a truly great film. It is not as impressive as the original Godzilla, and it is not as hip as Monster Zero. But for the ten-year-old living inside us all, it is entertainment of the most awesome sort." Matt Paprocki of Blogcritics said the film is "far from perfect" and "can be downright boring at times" but felt that "the destruction scenes make up for everything else" and "the final battle is an epic that simply can't be matched" - From Wikipedia
This is the original Japanese version of this trailer
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DESTROY ALL MONSTERS (TRAILER)
ISHIRO HONDA - TOHO - (1968)