The film, directed by Koji Shima, was one of many early Japanese monster films quickly produced after the success of Toho's Godzilla in 1954. The film was loosely based on a novel by Gentaro Nakajima. Warning from Space has since been placed in the public domain. After release, the film was met with negative reviews, with critics calling it "bizarre" and accusing it of using science fiction clichés. Warning from Space influenced many other Japanese science fiction films, such as Gorath. The film, along with other 1950s science fiction films, influenced director Stanley Kubrick, who would later direct 2001: A Space Odyssey.
A small ship travels to a large rotating space station. Aboard the station, a group of starfish-esque beings discuss how to go about warning humans of a disaster, deciding on Japanese Dr. Kumara as the best human to contact. Meanwhile, flying saucers are spotted over the skies of Tokyo, baffling scientists. A journalist tries to get a statement from Dr. Kumara about the sightings, but Kumara replies that there is not enough evidence to formulate even a hypothesis. At an observatory, Professor Isobe spots an object in his telescope apparently releasing smaller objects. Isobe discusses his findings with Kumara and a physician, Dr. Matsuda, who believes they should get photographs via a rocket. The photographs they retrieve, however, turn out to be unclear, though they deduce the object has a high energy output. In the meantime, the extraterrestrials have been unsuccessfully attempting to contact humans. They begin appearing in lakes and rivers, frightening local fishermen and sailors. One of the aliens manages to secure a photo of Hikari Aozora, a famous Japanese entertainer. Their plan is for one of the aliens to mutate into the form of Aozora. Back aboard the space station, one of the Pairan leaders, Ginko, volunteers herself. Her starfish form is slowly mutated into a human form. On Earth, Toru, Isobe's son, discovers the disguised alien floating in the water. After her rescue, she exhibits superhuman characteristics such as jumping ten feet and materializing in different places without walking. Soon, she disrupts Dr. Matsuda's work on a nuclear device, explaining she understands the complex equations he was writing and warning against the effects of a device, leading him to believe she is not human. Shortly afterwards, as the team of scientists discuss her abnormal traits, the camoflauged Ginko appears and reveals her true identity, explaining she is from Paira, a world on the same orbit as Earth but on the opposite side of the Sun. She then continues to reveal her mission, to warn Earth of an imminent collision of a rogue planet, which is dubbed "Planet R" by the media. They appeal to the World Congress about the situation, but are swiftly rejected. Only after they show Planet R and its rapid acceleration in the telescope does the World Congress launch its nuclear weapons, which ineffectively explode on its surface.
In the meantime, a group of spies have abducted Matsuda and are attempting to steal his formula to the nuclear device the disguised Pairan warned him about. Matsuda does not comply and is eventually tied to a chair in a remote building. As the Earth's atmosphere heats up due to the approaching world, Ginko again arrives to learn why Planet R is not yet destroyed. They locate Matsuda through Pairan technology and gather the formula for the device. The scientists then all watch as the nuclear device is shot from the space station and destroys Planet R, cooling the atmosphere and removing the threat. Ginko then changes back to her original form aboard the space station.
Production
After the success of Toho's 1954 film Godzilla, which depicted a giant dinosaur attacking Tokyo, many Japanese film studios began to produce similar monster films, including Warning from Space. Along with other films such as Shintōhō's Terrifying Attack of the Flying Saucers and the American Forbidden Planet, Warning from Space became part of a fledgling subgenre of films based around science fiction creatures. The film also used the theme of atomic bombs that was present in many films at the time, but showed how the weapons, which devastated the Japanese cities of Hiroshima and Nagasaki a decade earlier, could be put to good use. Still others noted the film used another common theme of cosmic collisions in the style of earlier films such as the 1931 film End of the World, which depicted a comet on a collision course with the Earth.
The Pairan aliens were designed by the prominent avant-garde artist Tarō Okamoto, which used a single eye that is common among science fiction aliens. Although official film posters showed the Pairan aliens towering over buildings, the actual cinematic version of the aliens were on the scale of humans, at about two meters. Walt Lee reports that Gentaro Nakajima's novel, on which this film was based, was in turn based on the Japanese folktale Kaguya-hime. The film was one of fourteen Japanese color pictures produced in early 1956, but the first color Japanese science-fiction film.
Release
Daiei also hoped to find a foreign market for Warning from Space, though the company found difficulty in selling it.Nevertheless, the film played at both King Cinema in Rangoon, Burma and Tai Khoon Theatre in Sandakan, Malaysia, in 1958. The film did help Daiei achieve some success in the genre. It was passed for release, anglicized as Warning from Space, by the BBFC in the United Kingdom in 1957, and later in the United States in 1963. It was picked up by American International Television later in the 1960s. The film was released in Spain as Asalto a la Tierra, and in France as Le Satellite Mystérieux.Warning from Space has since fallen into the public domain, allowing companies to distribute the free film on DVD.
WARNING FROM SPACE
KOJI SHIMA (1956)
DAIEI STUDIOS
88 MIN
JAPAN
DOWNLOAD / MPEG4 / 881.4 MB
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